HBM149: The Daily Blast [Neutrinowatch]

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Neutrinowatch logo. Designed by Jeff Emtman

 

Please note: This is a dynamically generated podcast episode. It changes every day.

This is a short episode from the new show Neutrinowatch: A Daily Generative Podcast.  Each episode of Neutrinowatch changes a lil’ bit every day.  

This episode, The Daily Blast, features two computerized voices (Wendy and Ivan), who share the day’s news. 

To get new versions of this episode, you’ll need to either stream the audio in your podcast app/web browser, or just delete and re-download the episode.  It’s updated every 24 hours.  Note: Due to Spotify’s policy of downloading and rehosting podcast audio, this episode won’t work very well on Spotify.  Most other podcast apps should handle it well though. 

Neutrinowatch is a project of Jeff Emtman (Here Be Monsters’ host), and Martin Zaltz Austick (Answer Me This, Song By Song, Pale Bird and others). 

If you’d like to know more about generative podcasting and the story of Neutrinowatch, listen to So What Exactly is Episode 149? and Jeff’s blog post called The Start of Generative Podcasting?

Neutrinowatch is available on most podcast apps, and as of publish date, there’s currently 6.5 episodes available.  Each updates daily. 

Producers: Jeff Emtman and Martin Zaltz Austwick

Music:The Black Spot

 

HBM140: The New Black Wall Street

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A man surveying the damage of the Tulsa Race Massacre in 1921 with a sun rising and pillars of smoke billowing. Original image from the collection of the Oklahoma Historical Society. Digital collage by Jeff Emtman.

 

There used to be a neighborhood in Tulsa where Black people were wealthy. They owned businesses, built a giant church, a public library. Some Black Tulsans even owned airplanes. Booker T. Washington called it “Black Wall Street.” Others called it “Little Africa” and today, most call it “Greenwood.” 

Content Note: Descriptions of racial violence, several mentions of a suicide, language.

In the early 1900s, the neighborhood was prosperous and thriving, but Black Tulsans were still a racial minority in a young city that already had a reputation for vigilante justice. A local chapter of the KKK was starting to form. 

In the Spring of 1921, a Black shoe shiner named Dick Rowland was brought into custody for allegedly assaulting a white woman. Over the coming night and day, a huge mob of white Tulsans burned and looted and murdered in Greenwood and the surrounding areas. Dozens or possibly even hundreds of Black Tulsans died, thousands became homeless. 

But authorities never held anyone responsible. In fact, they detained many Black residents, some for up to a week. And insurance claims made in the aftermath were denied, as the insurance policies did not cover “riots.” 

 
 

In the decades that followed. Records of the event went missing, some fear they were destroyed. The mass graves have yet to be found. And many Black Tulsans believed they could face retribution for speaking out about the event. It wasn’t even taught in school until recently. 

As a result, a lot of Tulsans still don’t know the history of Greenwood. 

Local rapper Steph Simon was one of them. He grew up near Greenwood, and he went to middle school there. But it wasn’t until his 20’s when he stumbled upon a documentary about the massacre on Youtube. From there, he became obsessed with learning more about the true story of Tulsa. And in 2019, he released an album called Born on Black Wall Street where he reintroduces himself as “Diamond Dicky Ro” in homage to the young shoeshiner whom white mobs tried and failed to lynch on that night in 1921. 

In 2011, an Oklahoman journalist named Lee Roy Chapman wrote an article for the publication This Land. Chapman’s story, The Nightmare in Dreamland, was a devastating re-telling of the life’s story of an Oklahoman legend--a “founder” of Tulsa named Tate Brady. Brady was well known as an oil tycoon and hotel owner who ran in the elite circles. However, buried by history was Brady’s legacy of violence and racial animus. He was a defender of the Confederacy, he was credibly accused of tarring and feathering some IWW union members, and for part of his life, he was in the Ku Klux Klan. And on the night of the massacre, Brady was there, acting as a night watchman. He reported seeing several dead black people in the streets in or around Greenwood. 

With these revelations, a movement started to remove the Brady name from Tulsa. That movement succeeded partially, but the Brady name is still a part of the Tulsan landscape. 

When Steph Simon shot the cover image for Born On Black Wall Street, he wanted to incorporate the symbolism of Tate Brady. So he went to Brady’s former mansion—a house modelled visually after the house of Robert E. Lee’s, with murals of the Confederacy painted inside and big stone columns out front. It sits on a hill overlooking historic Greenwood. And he stood on the front steps of the mansion only to see a childhood friend driving by. It was Felix Jones, an ex-NFL running back. The two grew up together. To Simon’s surprise, Jones revealed that he’d just bought the mansion. And he invited Simon inside. 

 

 

Together they thought up ideas on how to transform the legacy of the house from something hateful to something loving. So Simon invited about a hundred Black kids to come have a party on the lawn while he filmed the music video for his single “Upside”. 

After that, Simon and Jones started throwing concerts there, drawing huge crowds and starting the slowly re-contextualizing the house into something positive. They renamed the house “Skyline Mansion.”

As this transformation took place, another local DJ and producer, Stevie Johnson woke up in a cold sweat one night. He’d had a dream about rebuilding Black Wall Street, figuratively and literally. He opened his laptop and wrote down his ideas frantically, trying to remember his vision. And soon after, he started to act on it. 

His first step was Fire in Little Africa: a commemorative rap album to mark the 100th anniversary of the Tulsa Race Massacre, featuring nearly sixty artists from Oklahoma. And over the course of a weekend in early 2020, rappers and community members and businesses filled Skyline Mansion to record dozens of tracks for the album. 

Fire in Little Africa will be available in February of 2021. Their podcast is out now. They’re also curating spotify playlists of the featured artists, and they’re accepting donations via the Tulsa Community Foundation. 

 
 

On this episode of Here Be Monsters, Taylor Hosking visits the former Brady Mansion to talk to the musicians who are looking to build a new Black Wall Street in Tulsa. Taylor also published an article in CityLab called Avenging the Tulsa Race Massacre With Hip Hop.

A lot of people and organizations helped make this episode possible. We’d like to thank Steph Simon, Verse, Stevie Johnson, Keeng Cut, Written Quincy, Bobby Eaton, Felix Jones, Dan Hanh, Mechelle Brown, Chris Davis, Shruti Dhalwala, Brandon Oldham, Ben Lindsey, John DeLore, The George Kaiser Family Foundation, The Oklahoma Historical Society, and The Woody Guthrie Center. 

Producer: Taylor Hosking (Instagram) (Twitter)
Editor: Jeff Emtman
Music: Steph Simon, Verse, (see embedded YouTube playlist 😀☝) The Black Spot

Also heard on this episode: recordings from Black Lives Matter protests made by Neroli Price of Seattle, Washington; Bryanna Buie of Wilmington, North Carolina; and Bethany Donkin of Oxford, UK. 

More About the Tulsa Race Massacre:

- Official Report from 2001 which describes the events of 1921 in detail and with context. 

- Educational comic about the massacre published by the Atlantic and sponsored by HBO’s Watchmen. 

- Riot and Remembrance By James S. Hirsch

 

HBM138: Did Neanderthals Bury their Dead?

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Foreground: Flowers drawn by 16th century naturalist Ulisse Aldrovandi. Midground: The reconstructed skull of Shanidar 1. Photo by James Gordon. Background: View from mouth of Shanidar Cave, photo by Graeme Barker. Digital composite by Jeff Emtman.

 

There’s a large cave in the foothills of Iraqi Kurdistan. It looks out over green and yellow fields and a river far below. Starting in the 1950’s, the American archaeologist Dr. Ralph Solecki led a team who excavated a trench in Shanidar Cave, discovering the remains of ten Neanderthals who died about 50,000 years ago. 

Dr. Solecki’s discoveries helped ‘humanize’ Neanderthals, a species of early humans often thought of as the brutish, stupid cousins of our species. In sharp contrast, Solecki believed Neanderthals to be nuanced, technologically adept, interested in art and ritual. Solecki suggested that the bodies at Shanidar Cave were intentionally buried. 

Many of Dr. Solecki’s theories on the complexity of Neanderthal minds seem to be correct. But he also made a famous claim about one of the bodies, named “Shanidar 4.” This individual was found with flower pollen around the body. Solecki suggested this was a ‘flower burial’, an intentional death ritual where flowers were laid on the body, possibly to signify the passing of an important member. This interpretation was not universally accepted, as others pointed out there are several ways for pollen to wind up on a skeleton. 

Half a century later, Dr. Emma Pomeroy from Cambridge University went back to Shanidar Cave with a team of archaeologists. They kept digging, hoping to help contextualize Solecki’s findings. To their surprise, they found more bodies. And their findings seem to support Solecki’s theories. The bodies were likely intentionally buried, and they were discovered in soil that contained mineralized plant remains, meaning that the pollen in Solecki’s findings couldn’t have come from modern contamination. 

 
 

It’s possible that Shanidar Cave may have been a significant spot for Neanderthals. But Dr. Pomeroy believes that further work is still needed. Currently, their excavations and lab work are on hold due to the current coronavirus pandemic. 

Dr. Pomeroy admits to imagining the lives of the Neanderthals she studies. She wonders how they spoke to each other, and what they believed about death and the rituals surrounding it. These things don’t preserve in the fossil record though, so we’re all stuck interpreting from clues, like the source of a bit of pollen or the maker of a tiny piece of string.  These clues have the ability to teach us the “humanity” of some of our closest evolutionary cousins. 

Producer: Jeff Emtman
Editor: Bethany Denton
Music: The Black Spot, Phantom Fauna

Sign up for our HBM Summer Art Exchange!

 

HBM136: Jacob's Lost Biography

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Image by Jeff Emtman

 

In 2012, Jacob Lemanski started writing his autobiography a few words at a time when he signed his name on the digital card readers at the grocery store. He read somewhere that the credit card companies keep the signatures on file for seven years. He thought he might report his card stolen in 2019 so that some grunt at Mastercard would find the story of his life...or…more likely he thought it was a project destined to evaporate and never be seen by anyone. 

His inspiration came from an email forward containing a certain Kurt Vonnegut quote about making art for the sake of making art—whether it’s singing in the shower or writing bad poems. Vonnegut argued that art is one way to make the soul grow. 

Jacob considered turning this into a lifelong project. At the time that he and HBM producer Jeff Emtman first talked, he was four entries into the project. On this episode, Jeff checks back with Jacob about his grocery store autobiography. 

Jacob is a retired ant farmer living in Boulder Colorado.

Also on this episode, voicemails from listeners, who share stories about their bodies, sounds from the world around them, and the things that make them feel guilty. Call us anytime (765) 374-5263

Producer: Jeff Emtman
Editor: Bethany Denton
Music: The Black Spot, August Friis 

 

HBM134: Questionable Hobbies of the Socially Isolated

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An unspooled cassette tape. 3D art by Jeff Emtman

 

Searching for something to do during government-mandated social distancing, Here Be Monsters host Jeff Emtman recently digitized his cassette collection, and re-edited them into blackout poems and proverbs. 

Content Note: Language

While in the process of doing this, Jeff re-discovered a mixtape he made in 1999, the product of endless hours of waiting by the boombox in the basement with a hand hovering over the 🔴 button.  And on this old mixtape, a 10 year Jeff attempted to make a fancy edit: swapping out the intro of one song for another’s. It didn’t sound good at all, but it may have actually been Jeff’s first ever audio cut, predating the start of HBM by over a decade.  

On this episode, Jeff shares a couple dozen of his recent blackout proverbs and short poems, made from a variety of bootlegged self-help audiobooks found in the thrift stores of New England. 

Producer: Jeff Emtman
Editor: Bethany Denton
Music: The Black Spot, August Blicher Friis

 

Jeff’s author headshot from a short book about aardvarks that he wrote for an assignment in third grade, circa 1997.

Jeff’s mixtape from 1999.

HBM133: Prey of Worms

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Earthworm by Pearson Scott Foresman. 3D Art by Jeff Emtman.

 

Bodies are odd.  Anyone who can see their own nose will tell you the same.  So will anyone whose diet changed their body odor. And so will anyone who’s ever felt their phone vibrate in their pocket only to later realize it was a phantom ring. 

Our bodies make stuff up constantly and do plenty of questionable things without asking our permission first.  It can feel disorienting, especially due to the fact that being our sole points of reference, they’re hard to see outside of.  So, people invent analogies for the body, ways to understand what it is, and how to use it. 

On this episode, Jeff interviews the operators of several bodies on the models they’ve developed to help them navigate the strangeness of the world we live in. 

Thank you Allison Behringer of the Bodies Podcast for sharing Juliana’s comic about bodies of water. And thank you Jackie Scott for helping record the freight elevator heard on this episode.

In the life of a man, his time is but a moment, his being an incessant flux, his senses a dim rushlight, his body a prey of worms, his soul an unquiet eddy, his fortune dark, and his fame doubtful. In short, all that is of the body is as coursing waters, all that is of the soul as dreams and vapors; life a warfare, a brief sojourning in an alien land; and after repute, oblivion. 
—Marcus Auralius, Meditations, c. 180 AD. Translation by Maxwell Staniforth.

Heard on this episode:

Dr. Kelly Bowen is a naturopath in Seattle, Washington. 

Juliana Castro is the senior designer at Access Now and the founder of Cita Press. 

David Schellenberg is the singer and guitarist of Tunic, a noise punk band from Winnipeg, Manitoba. 

Divya Anantharaman is the owner of Gotham Taxidermy in New York City. Divya’s been on the show before disassembling birds and explaining taxidermy.  See HBM093: The Brain Scoop. 

Tammy Denton Clark is a medical social worker in southern Utah.  She’s also the mother of HBM co-host Bethany Denton.

 
 

LDS president Boyd K. Packer explains how the body is like a glove.

 

975 Likes, 24 Comments - Gotham Taxidermy (@gotham_taxidermy) on Instagram: "Day to night 🤪 Swipe through to see my #transformationtuesday. It's amazing what a shower and some..."

514 Likes, 18 Comments - Juliana Castro V. (@juliacastrov) on Instagram: "Swipe ➡️ for españolito cursi ✈️ ❤️ 🌊 ☁️"