HBM110: Big Numbers

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A bugle stack to the moon. Graphic by Jeff Emtman.

 

For two thirds of his life, HBM host Jeff Emtman has been thinking about the distance to The Moon in terms of corn snacks.  Bugles specifically.  It was a factoid written on the packaging that purported to convey information about the distance to the moon.  The number itself has been long forgotten, but the taste of degermed yellow corn meal lingers.

Content Note:
Language

In this episode, Jeff takes issue with the significance that is placed on large and round numbers.  And he talks to his 2 year old nephew while they play the piano. And he interviews his brother about larger and smaller infinities.  And he makes podcast music on a tiny sampler.  But mostly he complains about turning 30, a number that’s round, if you count in base ten.

But not everyone uses base 10.  Several languages of Papa New Guinea use base 27, using not only their fingers, but parts across all their upper body.  And many others from across the world have settled on base 20.  

 
 
 
 

It’s possible that numbers are an advanced technology of language to make the abstract more palatable.  Homesigners are people who develop their own sign languages independent from established sign languages.  In a 2011 study called Number Without a Language Model, researchers contacted several homesigners who lived in numerate societies, but apparently had not developed strong words for numbers past three or so.

Big thank yous to Alan Emtman, Brian Emtman, Ariana Nedelman and Ross Sutherland (who produces the fantastic podcast Imaginary Advice [this episode contains excerpts from Episode 49, “Re: The Moon”]).

Producer: Jeff Emtman
Editor: Jeff Emtman
Music: The Black Spot, Serocell

FYI our voicemail number is (765) 374-5263. Give us a call sometime.

 

HBM109: Untitled Noises of New York (Sound Matters)

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Central Park in New York City. Graphic by Jeff Emtman.

 

HBM host Jeff Emtman travels to New York City in an effort to fulfill open-ended recording assignments issued from afar by Tim Hinman for an episode of Bang & Olufsen’s Sound Matters podcast.  

It should be noted that in this episode, Tim incorrectly states that Jeff is from the “lentil capital of Washington State.” In fact, Jeff is from the self-proclaimed lentil capital of the world.

This episode was produced and scored by Tim Hinman.  Tim also hosts the fantastic podcast Third Ear.

Read an interview with Jeff about the creation of HBM over on Bang and Olufsen’s blog.  Interview by Nathaniel Budzinski.

Producer: Jeff Emtman
Editor: Tim Hinman
Music: Tim Hinman

 

January ice on the Hudson. Video by Jeff Emtman.

HBM106: Beautiful Stories about Dead Animals (part 2)

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👉 Listen to Part 1 👈

This is a special two-part episode, in which Kryssanne Adams describes the many times where she’s seen death or inflicted it upon animals.

Content Note:
Animal slaughter and other descriptions of death

Kryssanne is a writer in Bellingham, Washington, where she also helps run the Bellingham Alternative Library, sings in a Threshold Choir, and works at a museum.

We turned these episodes into a book, which is available for purchase in our store.

Producer: Jeff Emtman
Editor: Jeff Emtman
Music: The Black Spot, Serocell

 
Kryssanne Adams. Photo by Jeff Emtman

Kryssanne Adams. Photo by Jeff Emtman

HBM105: Beautiful Stories about Dead Animals (part 1)

/ alternative library/
 

Before Kryssanne Adams was old enough to understand death, she found a dead mouse and carried it around with her in a plastic Easter egg shell.  She talked to it and gave it water.

Content Note:
Descriptions of death/dismemberment, language.

This is a special two-part episode, in which Kryssanne describes the many times where she’s seen death or inflicted it upon animals.  This series is now a book, which you can purchase in our store!

Kryssanne is a writer in Bellingham, Washington, where she also helps run the Bellingham Alternative Library, sings in a Threshold Choir, and works at a museum.

Producer: Jeff Emtman
Editor: Jeff Emtman
Music: The Black Spot

👉 Listen to Part 2 👈

 

HBM104: Scrapheap Reactor

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HBM104.jpg
 

Max Turnquist advises against wearing shorts while dumpster diving for used lab equipment. Almost every day, Max visits a university parking garage, where there are several small mountains of discarded equipment, some of it quite rare. It’s where he found his ion pump, and a lot of his rack-mounted monitoring gear and power supplies.  He’s building a small nuclear fusion reactor from scratch in his bedroom, and he’s doing it on the cheap.

Content Note:
Language

 
Max looks for lab equipment in a pile of discarded electronics in Cambridge, Massachusetts.

Max looks for lab equipment in a pile of discarded electronics in Cambridge, Massachusetts.

 

Viable fusion power has long been a dream of scientists.  Once a fusion reaction starts, its only waste products are helium, water, and relatively small amounts of neutron radiation.  The fuel for these reactors is often Deuterium (aka. “heavy hydrogen), a common isotope of hydrogen found naturally in seawater.  Compared to nuclear fission (the nuclear tech we currently use), fusion seems almost too good to be true—nearly free energy with few downsides.

But there are a number of obstacles in the way.  Getting atoms close enough to fuse takes massive amounts of force and heat.  In the fusion reactors made by nature (stars), fusion happens because of the ridiculous amounts of gravity that create the high heat needed for this reaction.  But here on earth, where sun-like gravity isn’t an option, scientists like Max have to rely on trickier methods.

Max thinks that physicists are intuitive scientists.  They observe something many times and gain an inherent knowledge of the universe.  He says that the biggest laws that govern the physics are often quite simple, elegant.  Max found himself drawn to one of the archimedean solids, and followed his hunch.

His proof of concept reactor has a metal cage in the shape of a truncated icosahedron, a couple inches wide. In this shape, Max suspends particles in a cage of other particles.  This shouldn’t be possible, based on Earnshaw’s Theorem, which in layman's terms, means that it’s really hard to keep the particle in the middle from squirting out the sides.  But Max’s shape, along with a constantly changing voltage, suspends things in a Goldilocks-type way. He calls this “stably unstable”.

 
 

His first proof of concept worked.  Now he’s on his second. He says he’s almost ready to do a major fusion test, where he’ll drag his 300 pound reactor out to rural Maine,  bury it in the ground and stand a safe distance away (to avoid the neutron radiation). And if it works, he’ll be on to solving the next problem, which is how to actually harvest the power it generates.  

Max doesn’t think the solution is a single step away.  There are still many hurdles to overcome before fusion replaces the dirty and inefficient power we use today.  And maybe those hurdles are too many, maybe it’s a fool’s errand.  But he’s hopeful that fusion can save at least part of the world.  

A couple more links for you:

Producer: Jeff Emtman
Editor: Jeff Emtman
Music: The Black Spot, Serocell, Lucky Dragons

Correction: In the episode, we misstate the natural abundance of Deuterium. The correct abundance is .015%. We regret the error.

 

HBM103: Fate's Notebook

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Reynaldo Gulin at his funeral, wearing the clothes he wore on the day he was initiated into Santeria. (Photo by Maritza Gulin, edited by Jeff Emtman)

 

Somewhere in Maritza Gulin’s basement, there’s a typewritten notebook that belonged to her father, Reynaldo. The notebook contains essential advice and warnings to Reynaldo, his wife Flora, and their five children.

Content Note:
Suicide, mental illness, animal sacrifice, language.

In his younger life, Reynaldo’s atheism was strong and biting. But chronic migraines would often flatten him for days at a time. A stranger approached Reynaldo one day on the subway to tell him that he’d always suffer until he got right with God.

Reynaldo subsequently became an adherent to two related Afro-Cuban* religions: Palo Mayombe and Santeria. Palo focusses on veneration of spirits of the dead and of the earth. Santeria focusses on a pantheon of demigods called “Orishas”, who are usually represented by equivalent Catholic saints.

The notebook in Maritza’s basement is notable for its specificity. When she recently rediscovered it, she found warnings for her father against eating beans, sleeping with all the lights off, a requirement for white pajamas, a prohibition on horseback riding. Reynaldo followed these rules. He believed in fate, and was pretty accurate at predicting the time of his ultimate death from old age.

 
 

Michelle Santana is a childhood friend of Maritza’s. She’s a psychic medium who’s not been formally initiated into Santeria, but she often consults the Orishas and the dead while working with her clients.  She’s done a number of readings with Maritza. Michelle, too, believes in fate, saying that, cruel as it seems, some people are just destined live bad lives, die young, and nothing can be done to change that.

Maritza’s youngest sister, Vanessa, was born when Maritza was already an adult, so Maritza helped take care of her youngest sister. Vanessa experienced severe depression, especially after the birth of her first child. She committed suicide.

After her Vanessa’s death, Maritza and her mother Flora lost their faith. They asked: if the future’s written, why weren’t they warned? Why weren’t they told either in the notebook or during their regular psychic readings. Flora says she’s mad at God. Maritza says she no longer believes in destiny.

Despite this, Maritza still treads lightly around some of her father’s belongings. Some of this is due to respect for her father’s desires, and some of it is based on an abundance of caution. She recently deconsecrated a black metal cauldron that her father used in ceremonies. Michelle told her to bury it in her backyard or throw it in a river. Maritza did the former. Inside, she found a toy revolver, a pair of ram’s horns, railroad spikes, and other small items.

Santeria’s practice of live animal sacrifice wound up in the US Supreme Court in the early 90’s as Church of Lukumi Babalu Aye, Inc. v. City of Hialeah, in which a city in Florida passed an ordinance banning the practice of killing animals “in a public or private ritual or ceremony not for the primary purpose of food consumption”. The court ruled unanimously that this ordinance was unconstitutional, citing its attempt to restrict religious practice.

Producer: Jeff Emtman
Editor: Jeff Emtman
Music: Circling Lights, The Black Spot, Serocell

*Today, Santeria and Palo are practiced across much of the Caribbean, especially Cuba, Haiti, the Dominican Republic. Other areas of Caribbean diaspora like Florida, New York and New Jersey also have significant populations of believers. However, solid numbers of followers are hard to estimate due to the religion’s decentralization, which also contributes to the varying beliefs across adherents of different origins. If you practice or used to practice Santeria/Palo/Ifa, we’d love to hear your thoughts. Tweet at us @HBMpodcast.

If you are feeling suicidal, the Suicide Prevention Lifeline can help in the USA (phone: 1-800-273-8255). Outside the USA, consult Suicide.org’s list of hotlines. If you’re experiencing postpartum depression, Postpartum Support International has links to local organizations that can help you.

A dream about flamingos avoiding deep water, as interpreted by Reynaldo. (Photo by Maritza Gulin)

A dream about flamingos avoiding deep water, as interpreted by Reynaldo. (Photo by Maritza Gulin)