HBM097: Fox Teeth

Icelandic fox.  Photo by Megan Perra.

Icelandic fox. Photo by Megan Perra.

 

In the Westfjords of Iceland, people wait for birds to come ashore so that they can gather the feathers they leave behind.  These birds, called Eider Ducks, are the source of eiderdown, a ridiculously expensive and rare stuffing for bedding. 

This has landed the Arctic Fox in the crosshairs (quite literally).  These relatively common foxes are opportunistic eaters who snack on eider ducks if they get the chance.

So the Icelandic government placed a bounty on each fox killed (if you can provide its tail as proof).  Hunters of the Westfjords set up elaborate baiting ambushes for the foxes, and wait in darkened houses with rifles in the middle of blizzards.But some foxes are smart enough to outfox the hunters.

Megan Perra heard a rumor of a three legged Icelandic fox named “Tripod” that beat the odds.  A fox that grew to almost twice the normal size from stealing food from traps for three full years (or so the legend goes).  Megan is an illustrator/journalist from Portland, Oregon, and she’s currently working on a video documentary about the foxes’ interactions with humans. 

 
The taxidermied body of “Tripod”, a three-legged fox. Pictured here carrying the body of a seabird (a razorbill).

The taxidermied body of “Tripod”, a three-legged fox. Pictured here carrying the body of a seabird (a razorbill).

An Arctic Fox (vulpes lagopus).

An Arctic Fox (vulpes lagopus).

 

Megan retraces the steps of Tripod, from his birthplace in the Westfjords, to the lab in southern Iceland where he was dissected, and to his current home in a glass case at the Arctic Fox Centre.

But some foxes are smart enough to outfox the hunters.

Megan Perra heard a rumor of a three legged Icelandic fox named “Tripod” that beat the odds.  A fox that grew to almost twice the normal size from stealing food from traps for three full years (or so the legend goes).  Megan is an illustrator/journalist from Portland, Oregon, and she’s currently working on a video documentary about the foxes’ interactions with humans. 

Megan retraces the steps of Tripod, from his birthplace in the Westfjords, to the lab in southern Iceland where he was dissected, and to his current home in a glass case at the Arctic Fox Centre.

 
An Icelandic hunter, Jóhann Hannibalsson, at a remote cabin where he intends to shoot a fox.

An Icelandic hunter, Jóhann Hannibalsson, at a remote cabin where he intends to shoot a fox.

 

She visits a rural gas station where she finds Jóhann Hannibalsson, the hunter who finally shot Tripod after years of trying.  The two of them go on a snowmobile ride that brings them to a cabin where, in the dark, Megan witnesses Jóhann’s version of a fox hunt. 

Along the way, Megan also speaks to Ester Unnsteinsdóttir (a fox researcher), Siggi Hjartarson (a hunter), Stephen “Midge” Midgley (Manager at the Arctic Fox Centre), and Þorvaldur “Doddi” Björnsson (the taxidermist who preserved Tripod’s body).

Producer: Megan Perra
Editor: Jeff Emtman
Music: The Black Spot, Serocell
Images: Feral Five Creative Co / Megan Perra

 

Icelandic Language documentary on the production of eiderdown.

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HBM096: Are We Still Afraid?

Image by Jeff Emtman.

 

Here Be Monsters is almost 100 episodes old. It’s grown a lot since Jeff was a scared 22 year old learning audio editing in his basement. So as we approach the milestone, we take a look back, check in with some of our memorable guests, and take the chance to answer some listener questions while we’re at it.

Content Note: Recreational drug use, deaths (intentional and accidental), eating disorder, language, and sex.

On this episode we’ll hear updates from or about:

Luke, Griff and Ira from HBM076: Griff’s Speech
Remi from HBM080: An Ocean of Halves
Tariq from HBM077: Snow on Date Trees, Then on Pines
Tyler from HBM052: Call 601-2-SATAN-2
Patti from HBM054: Flaming Sword of Truth
Erin from HBM064: A Shrinking Shadow
Jacob from HBM015: Jacob Visits SaturnHBM072: Ant God

▶   You can call us any time at (765) 374 - 5263   ◀

Bethany Denton and Jeff Emtman produced this episode. Nick White is our editor at KCRW. 

Producers: Jeff Emtman and Bethany Denton
Music: The Black Spot, Flowers, Lucky Dragons, Serocell

 

HBM095: The Bats that Stay

Illustration by Jeff Emtman

 

Not all migratory bats migrate.  We don’t know why some choose to stay behind at their summer roosts.  But according to the University of Washington’s Sharlene Santana, the bats that stay tend to die.  

Content Note: Fleeting language

In this episode, HBM host Jeff Emtman attempts to make a metaphor about bats and humans.  Perhaps it’s anthropomorphic, perhaps it’s unnecessarily poetic, or perhaps it’s a fair one.  

Jeff leaves his home in Seattle to move cross-country to Boston.  Along the way he takes a five day layover in Colorado to meet up with an old friend (Helen Katich) and her girlfriend (Laura Goldhamer).  The three drive from Denver to the San Luis Valley of Central Colorado.  They visit Valley View Hot Springs and walk to the mouth of an abandoned iron mine 10,000 feet above sea level called “The Glory Hole.”  

 
 

The Glory Hole houses an estimated 250,000 Mexican free-tailed bats each summer.  These bats migrate in from Central and South America to eat bugs and raise their pups.  They fly together at dusk in gatherings visually similar to the murmurations of starlings.   This bat species, also known as the Brazilian free-tailed bat, is extremely social, and perhaps nature’s most gregarious mammal species.  

Despite this, their social and hunting calls are completely inaudible to humans.  They produce ultrasounds, sounds too high pitched for human ears. But some audio equipment (see below) can still record these sounds, then computer algorithms can pitch them down into human-audible sounds.  

 
Helen Katich

Helen Katich

A preserved Mexican free-tailed bat at the welcome center of Valley View Hot Springs

 

One evening, Jeff and Helen and Laura hike to the mouth of the mine.  At this vantage point, they watch some of the bats flying out and Jeff manages to record some of their loud, ultrasonic vocalizations, before the storm forces them back downhill.  The next day, Jeff flies to his new home in Boston.

Jeff recorded the bat calls in this episode with a Tascam DR100MK3 at 192kHZ sample rate and an Echo Meter Touch 2 Pro at sample rates of 256kHZ and 384kHZ.  The calls were recorded at frequencies of approximately 21kHZ to 36kHZ and time/pitch-shifted with Elastique 3.2.3 Pro.

Producer: Jeff Emtman
Editor: Bethany Denton
Music: The Black Spot and Laura Goldhamer

 

HBM094: The Fatigue of Violence

Susan Randall in a rear view mirror.  Photo by Erica Heilman.

Susan Randall in a rear view mirror. Photo by Erica Heilman.

 

In the nearly 20 years that Susan Randall’s been working as a private investigator, she’s seen Vermont’s most disadvantaged people struggling to have life’s most basic amenities.  Sometimes her job is to interview people addicted to crack, to help determine whether they’re suitable parents. Sometimes her job is to examine blood spatter at gruesome crime scenes.  She recently helped defend a client who murdered a DCF worker in broad daylight.

Content Note:
Descriptions of violent crimes

Susan has seen how humanity’s worst instincts become possible where cyclical poverty, incarceration, and drug addiction wreak havoc on communities.

There’s a necessary split screen in Susan’s mind.  One screen shows a home life: dropping her kids off at lacrosse, helping them with school projects.  And another screen shows a work life: prison visitation rooms, run-down trailer parks, the color-shifted skin of a corpse.

Producer Erica Heilman interviewed Susan over the course of three years.  Erica is a private investigator herself, and Susan was her mentor. The two talk about the mechanics of the legal system, poverty and how to survive a job that takes such an emotional toll.

Producer: Erica Heilman of Rumble Strip
Editor: Jeff Emtman
Music: The Black Spot

 

HBM093: The Brain Scoop

Divya Anantharaman’s brain scoop.

 

In school, Divya Anantharaman used to get teased for having long skinny fingers like ET.  But now she sees them as valuable asset for the intricate work she does.  Divya runs Friends Forever Taxidermy in Brooklyn, New York.  

Content Note:
Fleshy sounds

In this episode Divya carries a recorder with her while as she slowly disassembles a deceased pet parrot: snipping joints, scooping brains, removing eyes, separating the skin from the body. Birds’ skin is very thin—Divya likens the peeling to removing a delicate silk stocking.

We found out about Divya through Erika Harada, another skilled artist in the Brooklyn taxidermy scene.

Producer: Jeff Emtman
Editor: Bethany Denton
Music: Serocell (new album out!) and Phantom Fauna

 

Divya Anantharaman with a deceased Himalayan pheasant.

HBM092: Carry the Scent

 

Robert Larson does not have an easy job. He searches for missing people with his dog Captain Dexter as a K9 search and rescue volunteer. Robert often travels across the Midwest, and he does this work pro bono, relying on donations from his supporters to pay for gas, lodging, and dog food.

Content Note:
Death of a child, a mention of suicide, and language

Robert does not work with law enforcement. He’s not certified to do this work by any professional agency. He says that he has to work alone to do his best work, outside of the red tape of official search and rescue teams and law enforcement agencies.

In 2013, Robert felt compelled to search for a missing one-year-old named Bryeon Hunter. It was his very first search. Robert went at it alone without the permission or cooperation of law enforcement. He quit his job and spent a 30 days searching for Bryeon, falling behind on his bills all the while.

Incredibly, despite his lack of training and lack of support, Robert found Bryeon in the the Des Plaines River.

Since finding Bryeon, Robert started his own search and rescue unit called K9 Specialties. He’s very active on Facebook, often using it to solicit donations and get referrals for missing persons cases from his followers. He’s gained a substantial following, but also hateful facebook group dedicated to disparaging Robert and his work.

The group RTL Fanclub posts rebuttals to Robert’s Facebook activity almost daily. Its members have even gone so far as to caution families of missing people against working with Robert, claiming that he’s a con man and inept at search and rescue. They often criticize him for not having a “real” job, and accuse him of inflating his abilities. The group has about 230 followers at the time of broadcast.

It’s not unreasonable for Robert to be met with skepticism and criticism. Search and rescue is a field that attracts scammers because families with missing loved ones are vulnerable to exploitation. After 9/11, scammers claimed to have found missing people. One K9 handler Harry E. Oakes charged hundreds of dollars a day for his services before he was debunked. Another K9 handler, Sandra Anderson, was indicted in 2004 for planting human remains for her search dog to find. Another fraud, Doug Copp, made hundreds of thousands of dollars after creating an unfounded theory to surviving an earthquake called the Triangle of Life.

According to former executive director of the National Association of Search and Rescue Kim Kelly, there is a profile of a typical search and rescue scammer:

  1. They’re driven by ego, claiming to be “the only one” who can help, or overstating their skills.

  2. They self-deploy, which is never done by legitimate search teams.

  3. They work alone.

  4. They use their dogs to play on people’s emotions and assumptions. As one search and rescue expert put it, “people don’t think it’s a real search unless there are dogs and helicopters.”

Robert occupies a grey area. He claims to help people the police have forgotten, people that the police don’t have time for. He points to his meager lifestyle as evidence of his pure motivations. To Robert, him doing something is better than nothing. To his detractors, Robert does more harm than good, making promises he can’t keep, and overstating his abilities.

Producers: Lee Gaines and Alex Kime
Editor: Bethany Denton and Jeff Emtman
Music: The Black Spot