HBM152: Dirt Becomes You

Image by Jeff Emtman. Digital render.

 

What do you want to happen to your body when you die?  It’s a touchy topic where tradition, religion and death denial all come into play.  But across much of the world, there are just two options: burial and cremation, which both have substantial ecological impacts

In 2019, Washington State passed SB 5001, which legalized several new options for deathcare. 

In this episode, host Jeff Emtman visits Return Home, a facility in Auburn, Washington that’s using one of those new options, called “Natural Organic Reduction” (NOR) which is commonly called “human composting”.  

Return Home has built the world’s largest NOR facility to date, with 74 available individual vessels.  Their process (which they’ve trademarked as “Terramation”) takes about two month to complete, and involves dressing a deceased person in a pressed cotton gown and placing them a bed of organic material, and left to naturally break down using active composting techniques that bring the contents of the vessel to well above 100° Fahrenheit for much of the composting period. 

 
 

The techniques used by Return Home were largely inspired by Katrina Spade, a death activist and the owner of Recompose, another NOR facility located near Seattle.  Spade was one of the people who strongly advocated for the passage of SB 5001.

There’s currently one other NOR facility in Washington State: Herland Forrest in Wahkiacus.  Currently two other states, Colorado and Oregon have legalized NOR.  

NOR’s future isn’t known.  It’s new and still relatively rare. Do enough people want to be composted to have it be a viable business model? Each of these companies have different approaches to their process.  

 
 

Return Home’s model relies on scale.  They wouldn’t disclose the exact cost of building their facility, or how many simultaneous descendants they’d need in their facility to be profitable.  As of publishing, they charge $4,950 for their process and they have 15 of their 74 slots occupied.  

And in some ways, the full ecological benefits for Return Home’s process also rely on scale.  In a follow up email, CEO Micah Truman stated:

We calculate our inputs as follows. Our electricity bill each month is about $1,700, and is sufficient to Terramate 74 bodies. This comes to $22 per body. In current gas terms ($5 a gallon at present) that is roughly 4 gallons of gas, which is about 1/8 the amount of gas used for cremation. The number is actually quite a bit better than that, as our electricity bill also powers our entire facility, not just the Terramation equipment.

When asked about the relative emptiness of the facility, Katey Houston (Return Home’s Services Manager) said,

The funeral industry is so slow to change. When cremation became a thing, it took sixty years to become mainstream.  The fact that we’ve served just over thirty families now in four months, is quite amazing.  And we’ve continued to grow month-over-month, and that’s all I can ask for.

Thank you Hannah Suzanna for help with research for this episode. 

Here Be Monsters is an independent, listener supported podcast.  Consider supporting the show on Patreon

Producer: Jeff Emtman
Music: The Black Spot and Serocell

 

 

Sleep With Me is a podcast that helps you fall asleep. Host Drew Ackerman tells tangential stories, reads old catalogs, makes metaphors about washing machines, and does other calming things all in pursuit of slowing your mind down and letting you drift off to sleep more peacefully.

 

HBM143: Laughing Rats and Dawn Rituals

Image by Jeff Emtman. Photo of sage grouse by Bob Wick of the Bureau of Land Management. Orange sky elements are the spectrogram of the sound of the mouse courtship call heard in this episode.

Image by Jeff Emtman. Photo of sage grouse by Bob Wick of the Bureau of Land Management. Orange sky elements are the spectrogram of the sound of the mouse courtship call heard in this episode.

 

Animals sometimes make noises that would be impossible to place without context.  In this episode, three types of animal vocalizations—described by the people who recorded them. 

The monkey who lost their mother. Photo by Stephanie Foden.

Ashley Ahearn: Journalist and producer of Grouse, from Birdnote and Boise State Public Radio

Joel Balsam: Journalist and producer of the upcoming podcast Parallel Lives.  Joel co-created a photo essay for ESPN about the “pororoca”, an Amazonian wave chased each year by surfers. 

Kevin Coffey, Ph.D.: Co-creator of DeepSqueak and researcher at VA Puget Sound and the University of Washington.  Kevin co-authored the paper DeepSqueak: a deep learning-based system for detection and analysis of ultrasonic vocalizations in Nature’s Neuropsychopharmacology journal. 

Also heard: calls of the Indies Short Tailed Cricket (Anurogryllus celerinictus), which may be the perpetrator of the so-called “sonic attacks” recently reported in Cuba.  Sound sent in by HBM listener Isaul in Puerto Rico.  

Producer: Jeff Emtman
Music: The Black Spot

 
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Sponsor: Chas Co

Chas Co takes care of cats and dogs in Brooklyn (especially in Prospect Lefferts Gardens, Bed Stuy and surrounding neighborhoods). 

Chas Co welcomes pets with special behavioral and medical needs, including those that other services have turned away.  They offer dog walking, cat visiting, and custom care arrangements too. 

Look, it’s Kane!

HBM141: Filthy Riches

Image by Jeff Emtman.

 

When a group of broke college students start throwing lavish feasts, HBM host Jeff Emtman begins to wonder at the source of the food, initially assuming it was stolen.  But he’s soon corrected.  Confronted with the shocking amount of food waste in the local dumpsters, he quickly turns into a freegan dumpster diving evangelist, but is often thwarted by an angry employee of a local produce stand.  An employee whose face is always hidden by a bright headlamp. 

Content Note: Language and descriptions of violence.

These encounters rattle him, making it hard for him to separate reality from his recurring night terrors about the incidents.  But, years later, and more than a hundred of miles away, he has an encounter in a chocolate dumpster which cures him of those nightmares. 

Many thanks to Jesse Chappelle and Hallie Sloan, who helped in the research of this episode. 

 
 
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Sponsor


Coffee Beer of Portland Oregon.

Coffee Beer gets you to and from the best parts of your day.  Located at 4142 SE 42nd Ave, Portland, OR 97206, they serve coffee, beer, snacks and groceries for pick-up and delivery.  Order yours at coffeebeerdelivers.com

Coffee Beer’s merch can be shipped!  Shirts, mugs and more, at coffeebeer.me

Thank you Coffee Beer for sponsoring HBM!

Jeff likes Coffee Beer’s “Leave Me Alone” shirt

HBM133: Prey of Worms

 

Bodies are odd.  Anyone who can see their own nose will tell you the same.  So will anyone whose diet changed their body odor. And so will anyone who’s ever felt their phone vibrate in their pocket only to later realize it was a phantom ring

Our bodies make stuff up constantly and do plenty of questionable things without asking our permission first.  It can feel disorienting, especially due to the fact that being our sole points of reference, they’re hard to see outside of.  So, people invent analogies for the body, ways to understand what it is, and how to use it. 

On this episode, Jeff interviews the operators of several bodies on the models they’ve developed to help them navigate the strangeness of the world we live in. 

Thank you Allison Behringer of the Bodies Podcast for sharing Juliana’s comic about bodies of water. And thank you Jackie Scott for helping record the freight elevator heard on this episode.

In the life of a man, his time is but a moment, his being an incessant flux, his senses a dim rushlight, his body a prey of worms, his soul an unquiet eddy, his fortune dark, and his fame doubtful. In short, all that is of the body is as coursing waters, all that is of the soul as dreams and vapors; life a warfare, a brief sojourning in an alien land; and after repute, oblivion. 
Marcus Auralius, Meditations, c. 180 AD. Translation by Maxwell Staniforth.

Heard on this episode:

Dr. Kelly Bowen is a naturopath in Seattle, Washington. 

Juliana Castro is the senior designer at Access Now and the founder of Cita Press

David Schellenberg is the singer and guitarist of Tunic, a noise punk band from Winnipeg, Manitoba. 

Divya Anantharaman is the owner of Gotham Taxidermy in New York City. Divya’s been on the show before disassembling birds and explaining taxidermy.  See HBM093: The Brain Scoop

Tammy Denton Clark is a medical social worker in southern Utah.  She’s also the mother of HBM co-host Bethany Denton.

 

 

LDS president Boyd K. Packer explains how the body is like a glove.

 

975 Likes, 24 Comments - Gotham Taxidermy (@gotham_taxidermy) on Instagram: "Day to night 🤪 Swipe through to see my #transformationtuesday. It's amazing what a shower and some..."

514 Likes, 18 Comments - Juliana Castro V. (@juliacastrov) on Instagram: "Swipe ➡️ for españolito cursi ✈️ ❤️ 🌊 ☁️"

HBM132: Moral Enhancement

Propranolol molecules. 3D model courtesy of the National Institutes of Health. Illustration by Jeff Emtman.

 

Natalia Montes was a teenager living in Florida when Travyon Martin was killed.  She says his picture reminded her of her classmates, “It could have happened to any one of us.”

The Trayvon Martin shooting, as well as subsequent high profile police shootings and the emergence of the Black Lives Matter movement, sparked an interest in Natalia for trying to understand one of the most difficult elements of human psychology: implicit bias

Natalia calls implicit bias “the cognitive monster.”  And she says it lives inside all of us; this unconscious, unintentional prejudice that works against our best efforts to be egalitarian. Natalia says this cognitive monster is especially dangerous for police officers, because they’re more likely to perceive black and brown people as threatening. She, like many social scientists, believes that implicit bias is at the root of police shootings of unarmed black and brown civilians. This was especially apparent to Natalia during the trial of Darren Wilson, the police officer who killed Michael Brown in 2014. Wilson described Brown this way, “He looked up at me and had the most intense aggressive face... it looks like a demon, that's how angry he looked.” 

Natalia studied psychology and philosophy at the University of Washington, and as an undergrad, she worked for the Center for the Science of Social Connection. Part of her job was to research implicit bias displayed by people trying their best not to be racist. One of the ways Natalia and her colleagues measured bias was the Implicit Association Test. The IAT is designed to measure the association people have between concepts (e.g. black people, white people) and evaluations (e.g. “good”, “bad”). The IAT is the most common way that implicit bias is measured, though it has come under scrutiny in recent years.

As an undergrad, Natalia came across a study out of Oxford University. The intention of the study was to see if implicit bias could be treated with medication. The researchers administered the IAT to 36 participants. After the implicit and explicit bias of each participant was measured, half of the subjects were given a beta blocker called propranolol. Beta blockers are a common kind of blood pressure medication that block the effects of adrenaline. They can also be an effective treatment for anxiety. The results of the study showed that the participants given beta blockers displayed lower levels of implicit bias.

Reading this study gave Natalia an idea: if medication could have this kind of effect on implicit bias, perhaps it should be administered to police officers. The implications are still theoretical, but Natalia argues that police officers are required to meet a level of physical fitness, so mandating officers take these drugs would ensure their moral fitness as well. 

Natalia wrote about her idea in a 2017 essay, and won an award from the International Neuroethics Society. A year later, she was approached by another philosopher, Paul Tubig, to expand her idea into a longer paper. As of 2020, the two are preparing to submit their paper for publication, and have presented their essay at the Northwest Philosophy Conference.

Producer: Bethany Denton
Editor: Jeff Emtman
Music: The Black Spot and Phantom Fauna

 

HBM095: The Bats that Stay

Illustration by Jeff Emtman

 

Not all migratory bats migrate.  We don’t know why some choose to stay behind at their summer roosts.  But according to the University of Washington’s Sharlene Santana, the bats that stay tend to die.  

Content Note: Fleeting language

In this episode, HBM host Jeff Emtman attempts to make a metaphor about bats and humans.  Perhaps it’s anthropomorphic, perhaps it’s unnecessarily poetic, or perhaps it’s a fair one.  

Jeff leaves his home in Seattle to move cross-country to Boston.  Along the way he takes a five day layover in Colorado to meet up with an old friend (Helen Katich) and her girlfriend (Laura Goldhamer).  The three drive from Denver to the San Luis Valley of Central Colorado.  They visit Valley View Hot Springs and walk to the mouth of an abandoned iron mine 10,000 feet above sea level called “The Glory Hole.”  

 
 

The Glory Hole houses an estimated 250,000 Mexican free-tailed bats each summer.  These bats migrate in from Central and South America to eat bugs and raise their pups.  They fly together at dusk in gatherings visually similar to the murmurations of starlings.   This bat species, also known as the Brazilian free-tailed bat, is extremely social, and perhaps nature’s most gregarious mammal species.  

Despite this, their social and hunting calls are completely inaudible to humans.  They produce ultrasounds, sounds too high pitched for human ears. But some audio equipment (see below) can still record these sounds, then computer algorithms can pitch them down into human-audible sounds.  

 
Helen Katich

Helen Katich

A preserved Mexican free-tailed bat at the welcome center of Valley View Hot Springs

 

One evening, Jeff and Helen and Laura hike to the mouth of the mine.  At this vantage point, they watch some of the bats flying out and Jeff manages to record some of their loud, ultrasonic vocalizations, before the storm forces them back downhill.  The next day, Jeff flies to his new home in Boston.

Jeff recorded the bat calls in this episode with a Tascam DR100MK3 at 192kHZ sample rate and an Echo Meter Touch 2 Pro at sample rates of 256kHZ and 384kHZ.  The calls were recorded at frequencies of approximately 21kHZ to 36kHZ and time/pitch-shifted with Elastique 3.2.3 Pro.

Producer: Jeff Emtman
Editor: Bethany Denton
Music: The Black Spot and Laura Goldhamer