HBM135: Dying Well

3d image by Jeff Emtman. Cloth Texture by Simon Thommes’ Weavr.

 

We live in a culture of “death denial”. That’s what Amanda Provenzano thinks. She sees it when medical professionals use euphemisms like ‘passing away’ instead of ‘dying’. She sees it when funeral parlors use makeup to make it look like a person is not dead but sleeping. Most often she sees it when her clients’ loved ones insist their dying family member is going to pull through, despite all evidence to the contrary.

Content Note: Language

Amanda is a death doula, someone who provides practical, emotional, and spiritual support to people who are about to die. Sometimes this means that Amanda helps dying people and their families sort out their end-of-life paperwork and advanced care directives; Sometimes she helps dying people plan their own memorials. And sometimes she sits with people as they die. She says the tasks she performs are different for every person, but that her goal is always the same: to advocate for the wishes of the dying.

Amanda says that, in her experience, death is often harder for the loved ones to accept than it is for the person who is dying. “It’s almost like, in Western culture, it’s not OK to die… Like we guilt the dying person into trying to keep them here longer, with medicine and medical procedures because we, the survivors, are not capable of letting go of that person.” Because of this, Amanda recommends that people grieve by holding and touching the bodies of their loved ones after they die. She believes that talking about death openly will help people be less afraid.

Producer: Bethany Denton
Editor: Jeff Emtman
Music: The Black Spot

 

HBM122: Should Cows Have Names?

 

Mike Paros lives in two worlds. In one world, he’s an animal welfare specialist and mixed animal vet, meaning he works with both “companion” animals like cats and dogs, and large animals like horses, cows, goats, and sheep. He spends much of his time as a veterinarian working with animals that eventually become meat, and most of his human clients are farmers that lean right politically.

Content Note: This episode includes sounds of calves being de-horned and castrated. Also strong language.

In the other world, Mike is a college professor at the Evergreen State College in Olympia, Washington. There he teaches anthrozoology and agriculture to a predominantly liberal student body -- lots of vegans and anarchists. Crossing back and forth between these two worlds invites Mike to have many discussions about how to ethically treat animals, within and outside of the meat industry.

 
 

Producer Bethany Denton spent a day shadowing Mike as he disbuds and castrates dairy calves, and she asks him whether he thinks meat can be eaten ethically. Bethany also interviewed Mike in 2018 about a class he was teaching called “Liberal Education in the College Bubble: Crossing the Political and Cultural Divide.”

Producer: Bethany Denton
Editor: Jeff Emtman
Music: The Black Spot, Circling Lights
Images: Bethany Denton

 
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HBM091: Hypnosis of Hunger

Hypnosis tapes. Photo by Bethany Denton

 

Producer Bethany Denton found a box in her basement storage room with two old cassette tapes inside. It took her a moment to realize what they were.

Content Note: Descriptions of disordered eating

Bethany has been fat her whole life, even when she was a kid. She ate hidden stashes of food when she felt anxious. By the time she was eleven years old, Bethany’s parents worried she would have health problems as as an adult, and they thought weight-loss hypnotherapy could help. The hypnotherapist tried to guide Bethany’s subconscious mind into making choices that would help her lose weight, like developing the ability to control her hunger with an imaginary dial in her mind. The hypnotherapist had Bethany visualize her favorite greasy, salty potato chips covered in vomit.  She had Bethany visualize her ideal, thin body, and affirmed that this ideal body was “who you really are.”  The therapist recorded their sessions and gave them to Bethany on cassette tapes.  She was supposed to use them to relax.

Fifteen years later, Bethany never lost the weight, never achieved that ideal body. But she doesn't really eat potato chips anymore either.

For information about treatment for disordered eating, visit The Emily Program.

Producer: Bethany Denton
Editor: Jeff Emtman
Music: The Black Spot

Do you have questions about how the show is made? Ever wonder how Jeff and Bethany work together? Who the hell is this “Nick White” guy? Give us a call, and we’ll answer it in an upcoming mailbag episode. Call us at (765) 374 - 5263 or email us a voice memo.

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HBM079: The Tingles

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Devaan describes it as a pulsing, tingling feeling on the back of his neck.   His preferred stimuli are whispers, shuffling cards, scissors, tapping noises, anything that makes a crisp enough sound to trigger his ASMR.  These sounds make him feel relaxed, euphoric and drowsy.  

Autonomous Sensory Meridian Response is a physical reaction experienced by some unknown percentage of the population (to varying degrees).  Due to being only recently recognized and named, ASMR is still poorly understood scientifically.  Its evolutionary purpose (if any) is uncertain, though one popular theory suggests that it might serve a social bonding or grooming purpose.

Devaan’s ASMR awakening came one day at work when a co-worker whispered into his ear.  He googled “Why does my brain tingle when I hear whispering?”  He stumbled into the online community of “ASMR artists” (aka. “ASMRtists”) who stimulate huge audiences with their preferred triggers.

He used these videos daily to combat his mild insomnia.  Soon he became reliant on them for sleep, consuming ASMR videos endlessly.  He became desensitized, even to his favorite videos, and thinks that he was (and maybe still is) addicted to them.

Today, Devaan still uses ASMR videos to fall asleep, though he says he’s now more careful with his consumption.

Producer: Molly Segal
Music: The Black Spot, AHEE
Additional Sounds: Arnaud CoutancierRichard Frohlich
Screaming: Benjamin Harper, John Hill

 

HBM077: Snow on Date Trees, then on Pines

Photo of Tariq and Catherine

Photo of Tariq and Catherine

 

Muhammad Tariq still doesn’t know who the men with guns were.  They wore masks on their faces when they came into the teachers’ lounge.  His small, gender-integrated school in Panjgur had been anonymously receiving literature that scolded them for teaching girls.  Tariq and the other teachers didn’t take it seriously until the six men showed up.

While they beat the maintenance worker with the butts of their guns and smashed the office’s computers, one of the masked men mentioned that he knew who Tariq was, that he knew Tariq’s history of educating Pakistani girls, his plans to turn them against true muslim religion and culture.  

After just fifteen minutes, they were gone again.  Tariq doesn’t know why they didn’t take him with them, as his province of Balochistan sees regular abductions and murders and sectarian violence (see documentary below).  Balochistan is also home to separatist movements, notably the hyper-nationalist Baloch Liberation Army.

 
Flag of Pakistan’s Balochistan Province

Flag of Pakistan’s Balochistan Province

Documentary on Balochistan conflict, from Al Jazeera

 

Estimates for numbers of the disappeared Baloch people vary greatly, from 1,000 to about 20,000.  Since 2010, Human Rights Watch has documented first hand accounts of disappearances, which often happen in broad daylight.

After the incident in his school, Tariq feared for his life; said he needed to get out of Pakistan.  So he applied for and received a J1 visa, a cultural exchange program run by the US State Department.  After the visa expires, J1 recipients are supposed to return to their home countries.  

In 2015, Tariq took a plane from Karachi to Washington DC, and when his J1 program was up, he filed for asylum with a personal certainty and faith that it would be granted to him.  The USCIS is supposed to schedule asylum interviews within 45 days, with a final decision within 180.  But (as of April 2017), the wait time for the initial asylum interview is an estimated 2 to 5 years.  

Until Tariq gets that interview, he’s in a state of limbo—legally allowed to stay in the United States, though unable to find good work or afford college.

 
 

Tariq moved to Seattle, where he met his fiancé, Catherine Adams.  She hadn’t ever met a Muslim before, and she had a conservative, christian upbringing in rural Oregon.  She'd only ever heard and seen negative stereotypes of men like Tariq before they met. But they fell in love quickly and are planning to get married late in the summer of 2017.  They’ve since moved to Catherine's small hometown of Medford, Oregon.

On this episode, producer Jeff Emtman met the couple for a dinner of Pakistani biryani and apple pie, just three days before their move from Seattle, to Medford.

Music: Lucky Dragons, Serocell, The Black SpotAHEE

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HBM071: The Evangelists of Nudism

Human anatomy photo via Wikimedia Commons

Human anatomy photo via Wikimedia Commons

 

Growing up Mormon in Montana, Bethany Denton had a phrase drilled into her mind from an early age: “modest is hottest.”  To her, it became a mantra even while many of her friends, especially other girls, struggled with Mormonism’s strict modesty standards. But never Bethany–she was fat enough to know that no one wanted to see that anyway.

By the time Bethany moved to Washington State for college, she had rejected the church and was looking for new, broader experiences.  She got a job as a campus security officer, started drinking, and began wading into feminism.  She looked for new, non-Mormon role models to help her find adventure. That’s when she met Helen, a punk rock pirate who invited Bethany to join her for an all-expenses paid nude vacation, courtesy of an eccentric tech millionaire who evangelized the merits of nudism.

Bethany said yes, and went with Helen to California to bake in the sun for a week, and to learn about the body she’d been hiding for the past 20 years, learn to decouple nakedness from sexuality.

And when she returned, she felt utterly changed.  But she’d soon tearfully discover she was not entirely untangled from childhood guilt.

Names in this story have been changed.

This episode was written and produced by Bethany Denton, and was edited by Jeff Emtman. Nick White is HBM’s editor at KCRW.

Music:  Nym, Half GhostLucky Dragons 

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"Artist's" Renderings of what Bethany Saw
Photos by Jeff Emtman